Á¦¸ñ: ¡ºÁ¦7ÀÇ Àΰ£¡»¿¡ ³ªÅ¸³ »çÁø ¼»çÀÇ È¥Á¾¼º°ú ¸á¶ûÄݸ®Àû ǬũÅù / ¿¹ÁÖ¿¬ ´ëµî¼¸í: Photographic narrative hybridity and melancholic punctum in John Berger and Jean Mohr's a seventh man ÀúÀÚ: ¿¹ÁÖ¿¬ 1986-Áöµµ±³¼ö: °¿ì¼º. ¹ßÇà»çÇ×: ¼¿ï : ¼¿ï´ëÇб³ ´ëÇпø ¹ßÇ࿬µµ: 2017 ÇüÅ»çÇ×: iv, 66 p. : »ðÈ ; 26 cm ÁÖ±â»çÇ×: ÇÐÀ§³í¹®ÁÖ±â: ÇÐÀ§³í¹®(¼®»ç)-- ¼¿ï´ëÇб³ ´ëÇпø : Çùµ¿°úÁ¤ ºñ±³¹®ÇÐÀü°ø, 2017. 8. ¼Áö»çÇ×: Âü°í¹®Çå ¼ö·Ï ÁÖÁ¦: Á¸ ¹ö°Å(John Berger); Àå ¸ð¸£(Jean Mohr); ¡ºÁ¦7ÀÇ Àΰ£¡»(A Seventh Man); ·Ñ¶û ¹Ù¸£Æ®(Roland Barthes); ǬũÅù; ÀÌÁֳ뵿ÀÚ; ¸£Æ÷¸£Å¸ÁÖ; È¥Á¾; ¸á¶ûÄݸ® ¾ð¾î: Çѱ¹¾î ÀÚ·áÀ¯Çü: ÇÐÀ§³í¹® Ãâó: 82SNU INST
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