■강의명: 인문학세미나_최근 영화이론과 한국영화
(Contemporary Film Theories and the Korean Cinema)
■개설학과: 협동과정 비교문학 전공
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■수업기간: 2015. 7. 8~ 7.14(5일, 총 15시간)
|
교과목명 |
강좌
번호 |
부제
코드 |
부제명 |
수업기간 |
담당교수 |
학점수 |
비고 |
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인문학세미나
(100.501) |
005 |
023 |
최근영화이론과 한국영화 |
2015.7.8.~7.14
(5일, 총15시간) |
피터 백 |
1학점 |
협동과정 비교문학 |
■담당교수: 피터 백(Peter Y. Paik/ 위스콘신대 비교문학과)
-주요 저서
*From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: University of Minnesota Press, 2010.
*Debt: Ethics, the Environment, and the Economy (co-edited with Merry Wiesner-Hanks). Bloomington, IN: Indiana University Press, 2013.
*Aftermaths: Exile, Migration, and Diaspora Reconsidered(co-edited with Marcus Bullock). New Brunswick, NJ: Rutgers University Press, 2008.
■ 수업계획
BLOCK-SEMINAR
Seoul National University
Professor Peter Yoonsuk Paik
Summer 2015
Seminar Title: The New South Korean Cinema
Since the beginning of the new millennium, a new world cinema has emerged in South Korea. South Korean filmmakers such as Park Chan-wook, Lee Chang-dong, Pak Chan-ok, Na Hong-jin, and Bong Joon-ho have won prizes at international film festivals, while South Korea has become one of a handful of nations where films made within the country attract larger audiences than those produced by Hollywood. This course focuses on five major films of South Korean film that reflect the dynamic and unsettled character of South Korean society, which has gone from being one of the world’s poorest countries during the 1950s and 60s to one of the globe’s leading high tech economies. We will explore how South Korean cinema deals with the traumas of Korea’s modern history (the Korean War, the military dictatorship of Park Chung-hee, the struggle for democracy, and the Asian financial crisis) as well as lays bare the insidious pathologies of postmodern affluence. We will also consider how South Korean cinema compels us to reconsider the relations, divergences, and points of incommensurability between democracy, modernity, capitalism, and the premodern past.
Schedule
July 8 Introduction
Screening: Oldboy, dir. Park Chan-wook, 2003
July 9 Reading: Kyung Hyun Kim, Virtual Hallyu, pp. 178-199
Peter Y. Paik, “The Master Who Mistook Himself for a Monster: Oldboy and the Artifice of History”
Screening: Moss, dir. Kang Woo-suk, 2010
July 10 Reading: Angus Fletcher, Allegory (selections)
Brigitte Peucker, The Material Image (selections)
Screening: Secret Sunshine, dir. Lee Chang-dong, 2002
July 13 Reading: Rey Chow, Entanglements (selections)
Screening: Samaria, dir. Kim Ki-duk, 2005
July 14 Reading: Hye Seung Chung, Kim Ki-duk, pp. 69-104
Sheng-Mei Ma, “Kim Ki-duk’s Non-Person Films”
Screening: Mother, dir. Bong Joon-ho, 2009
<블록세미나 Q&A>
1. 블록세미나란?
정식명칭은 ‘단기집중강의’입니다. 해외초청학자가 단기간 국내에 체류하며 진행하는 강의입니다.
2. 학점 취득?
2학기 정규 교과목입니다. 수강신청 기간에 수강신청을 하며, 1학점이 부여됩니다.
(12학점 수강제한이 문제가 되는 학생은 청강을 하셔야 합니다.)
3. 성적평가?
정규교과목이니 성적평가가 있고, 그를 위한 과제가 있습니다.
인문학세미나 수강의사가 있는 학생들은 학과 메일로 문의해주세요. complit@snu.ac.kr
